The Reader
A devastating story about German guilt, with a side of sex.
Kate Winslet and David Kross in The Reader
The Pitch: 15-year-old Michael Berg, played by the wonderfully talented David Kross, embarks on a torrid love affair with the much older Hanna Schmitz. Unfortunately, the next time he sees her is while attending a war crimes tribunal and she's the star defendant.
What Sets This Apart From Other Holocaust-Based Movies? Some are groaning about the plethora of WWII movies this Oscar season, but The Reader is about the complexity of German guilt because of the Holocaust and its aftermath. The story, which unfolds in flashbacks, takes place before and after the Holocaust and illustrates the ripple effects it continues to have on the modern German conscience.
The High Points: Hanna isn't reduced to an S.S. caricature; she can be funny, sweet, and loving, or harsh and cold, and she draws in the viewer as much as she draws in young Michael. Each scene is carefully framed; Hanna’s tub is the focus of both their affair and her shabby apartment, which is draped in curtains, lend each encounter a womblike feel. The scenes featuring the grown Berg, played by Fiennes, are clear, crisp, and modern.
The Low Points: The overwrought music is practically a constant in every scene; there was no need to highlight the characters’ emotional states or epiphanies at every turn.
Kudos to Winslet: Winslet's been outspoken about her own body image and the effects of the media on women's body image, so the rawness of her love scenes and complete honesty about her body is especially effecting.
One Last Thing: Winslet deserves an Oscar for her amazing performance.
Okay, This is Really the Last Thing: It's always great to see Bruno Ganz, even when he's not playing a lovelorn angel as in Wings of Desire.
|
|







Comments